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Bagatelle No 9 | Piano Play-Along

Ludwig van Beethoven

Bagatelle in A minor, No. 9, Op. 119 by Ludwig van Beethoven is one of a set of eleven short piano pieces that were published together in 1823, though many of them were composed earlier. This particular Bagatelle is modest in length and simple in texture, yet it reflects Beethoven’s mature style, balancing Classical clarity with Romantic expressiveness. The piece features a ternary (ABA) form, beginning with a plaintive, lyrical theme in A minor, followed by a contrasting middle section in a brighter key and character, before returning to the initial idea.

Stylistically, the Bagatelle captures Beethoven's ability to convey emotional depth in miniature. Its use of sudden dynamic shifts and expressive phrasing are characteristic of his late-period piano writing. While technically accessible to intermediate pianists, this piece stands as a fine example of how even his smaller, seemingly modest works are imbued with structural integrity and emotional resonance.

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The exact date of Ludwig van Beethoven’s birth in not known for certain, however, surviving documents indicate that his baptism occurred on December 17th, 1770 in Bonn, Germany. During this time, baptism followed very shortly after birth which may put the composer’s actual day of birth on either the 16th or the 17th. Argued by many to be one of, if not the greatest composer who has ever lived, the affects of Beethoven’s genius can still be felt to this day.
“Für Elise” (Bagatelle in A minor, WoO 59) is one of Ludwig van Beethoven’s most famous and frequently performed piano pieces. Although it was composed in 1810, it remained unpublished during Beethoven’s lifetime and was only discovered and published posthumously in 1867—40 years after his death. The piece is written in rondo form (ABACA), with the well-known main theme in A minor recurring between contrasting sections.

Five Minute Mozart ©

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