Introduction To The Staff // How To Read Notes On The Staff
Run time: 4m 23s | Release Date: June 18th, 2012
All musical notation is written on a collection of lines and spaces called a staff. Each of the five lines and four spaces represent a different letter name, or note, depending upon which clef is found at the beginning of the staff. The two most commonly used clefs are the treble clef and the bass clef. As its name would suggest the treble clef is home to notes of higher pitch frequencies than the bass clef. Therefore, when combining is clef into a grand staff the treble clef would be placed on the staff above the bass clef, like this. Another way to think about it is that the treble clef contains notes which are above middle C, and the bass clef contains notes which are below middle C. Here’s middle C. We’ll go a little further into depth with this in a later video but for it’s just something to keep in mind.
As previously mentioned each space and each line of a staff is designated certain notes based upon the clef. Here’s a quick and easy way to remember the letter names of the notes on a staff with a treble clef. For starters, the four spaces from bottom to top spell out the word face - F, A, C, E. With this in mind you’ll quickly be able to identify any letter name on any given space of a staff with a treble clef.
Let’s put this into perspective. By simply knowing that F is the first letter in the word “face” you can easily figure out that the first space on the very bottom of the staff is the note F. Likewise, by knowing that A is the second letter in the word “face” you’ll also see that the second space from the bottom is the note A, and so forth.
As for the lines of a staff containing a treble clef, they each can be thought of as part of an acronym for the phrase, “Every good boy does fine”. By just memorizing this short phrase you’ll be able to quickly identify any letter name on any given line of a staff containing a treble clef. Here’s why: If you remember that “Does” is the fourth word in “Every Good Boy Does Fine” you will easily see that the fourth line from the very bottom is the note D. Does, D.
Although slightly different than the treble clef, the same sort technique can be used in order to remember the notes on a staff containing a bass clef as well. With a bass clef, the spaces respectively from the bottom are A, C, E, and G. Now, remembering this isn’t as easy as simply remembering the word “face” as was the case with the spaces of a staff containing a treble clef. However, if A, C, E, G is looked at as an acronym for “All Cows Eat Grass” it becomes much easier to memorize. For example, “Eat” is the third word in “All Cows Eat Grass”. Knowing this allows you to immediately recognize that the third space from the bottom is the note E. Eat, E.
Finally, the lines of the bass clef from bottom to top, G, B, D, F, A can be seen as an acronym for “Good Boyfriends Don’t Forget Anniversaries”. Being that “Good” is the first word in “Good Boyfriends Don’t Forget Anniversaries” G is then obviously the note found on the first line of the staff. Good, G.
There you have it. Quick and easy ways to remember the notes on a staff either with a treble clef or a bass clef, getting you well on your way to reading and writing music. In the next video lesson I will explain the basics of how to read and write rhythm. But before you move one don’t forget to check out FiveMinuteMozart.com for free helpful practice sheets and more in-depth explanations of everything discussed in this video.
An enharmonic equivalent is a pitch or tone which can be spelled with two or more different letter names. For example, looking at the keys of a piano we can see that one half step above the note G is the note G-sharp. However, this very same key, the one that we just identified as being the note G-sharp, is also a half step below the note A.
Therefore, in addition to being called G-sharp, this note can also be spelled with the letter name A-flat. Now, because we are able to call this same exact pitch by two different letter names, the note G-sharp and the note A-flat are therefore considered to be enharmonic equivalents.